Grammys Fill (transcribed)
Aaron Spears
Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.
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Halftime Groove
Chad Smith
Work on the 16th patterns in bar 3 between hand and foot separately. Be careful to play the ghostnotes lightly.
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32nd Note Inverted Doubles
Kev O'Shea
With inverted doubles the pulse will be felt on the second stroke. Practise at low tempos to begin with.
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Manky Beat
Kev O'Shea
A manky sounding linear pattern played open-handed between hihat, snare and floor tom.
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Playing Across The Bar Line
Pablo Gonzales
Use a metronome to keep the count while you experiment with playing over the bar line.
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Drum Solo Excerpt
Steve Gadd
Pay attention to Steve's masterful use of dynamics and timing...
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