Drum Lessons

Playing Across The Bar Line

Use a metronome to keep the count while you experiment with playing over the bar line.

32nd Note Inverted Doubles

With inverted doubles the pulse will be felt on the second stroke. Practise at low tempos to begin with.

Sting - Seven Days (basic pattern)

A hypnotic pattern in 5 which sounds easier than it really is.

Deep Purple - 'Fireball' Drum Intro

Get the double bass pattern down first. You can play this with a slight swing to give the right feel.

Rudimental Warm Up

Use fingers to help with the left hand triple strokes. Use bounce for the quick ruffs.

Unison Fill

Practise moving from flams to unison and back again to improve accuracy. This example is mostly finger work.

7/8 Groove

Use a metronome at a low tempo to memorise the intricate rhythms before you attempt them at full speed.

Walk This Way - Drum Intro

Timing the bass drum with the open hihat bark is the key to nailing this beat.

Halftime Groove & Fill

Play with a metronome set to a low tempo and count in 16ths.

"Rock And Roll" end solo

R,L,F is a signature Bonham triplet. Move it around the kit.

Drum Groove and Fill

Play R,L,F and L,R,F to very slowly to a metronome as 16th notes. This three over four feel will help you understand the rhythm.

Paradiddle in 12/8

Play groups of 4 with the accent on the first beat. Play this pattern in 12/8 to hear the 3 over 4 feel. Then switch to paradiddles.

Foo Fighters "Rope" - Drum Break

Practise playing the bass drum with the crash cymbal on your weaker hand (See bar 3) @ 2mins 50.

Drum Solo Excerpt

Pay attention to Steve's masterful use of dynamics and timing...

Red Hot Chili Peppers - 'Dani California' Intro

Work on one-handed ruffs, bass drum double-strokes and, of course, timing and feel...

Kick Hat Snare 04

Practise the inverted single paradiddle: R,L,L,R,L,R,R,L with and without accents on the first beat of each 4 notes.

Quintuplets - Groups of 5

More information is covered in my book 'Filling Time'.

'Immigrant Song' Drum Beat

Practise the bass drum double separately then introduce the hands.

Toto - 'Mushanga'

Be aware of the dynamics Jeff uses to create this feel. Some drums are accented, others are tapped lightly.

Songo-inspired halftime

Play R,L,F,L with accents in different places. Keep right hand on Hihat and left hand on the snare.

12/8 Groove

Count this out at slow tempos in order to get comfortable with the 12/8 feel. Count every second 8th whilst playing to improve timing.

Buddy Rich Sixes

This is a six stroke pattern in triplets using the ride cymbal, snare and bass drum. You can play this pattern starting on any of the six notes.

The Bonhadiddle (Moby Dick)

Happens around the 2 minute mark. Swap the double 'L' in a regular paradiddle for 2 bass drum strokes.

Toto - 'Africa' Drum Beat

Play the bass drum hits on beat 1 & 3 slightly louder to create more of a bossa nova/samba feel.

Moscow Groove

Practise the first 8 notes of this pattern on a practise pad only. Use it in daily playing. Gradually introduce the bass drum hits.

Linear Drum Fill 01

L,R,F triplet is the basis of this fill. Learn it and also, L,R,L,R,F.

32nd Note Fill

Work on the basic 6 note pattern between the hands and feet (RLRLFF).

Doubling Up

You may need to experiment with different bass pedal settings to find the right spring tension for you.

Insane 4-way Co-ordination

Try playing the left side ostinato without doubles as a 16th note pattern, to begin with...

Solo Groove

Try this on the practise pad first. Get comfortable with the right hand sticking as much of the bass drum pattern copies this.

Triple Stroke Bass Drum Exercise

Use the heel-toe method to play a double stroke. Add another toe stroke to complete the triple stroke.

Manky Beat

A manky sounding linear pattern played open-handed between hihat, snare and floor tom.

Linear-Type Beat

Practise cross-handed sticking between splashes and cymbals.

Kick Hat Snare 01

First get comfortable with F,R,L,F,R,L,R,L (whilst accenting the last 'L'). There rest is a variation on a basic paradiddle.

Filling Time - Chapter 2 (sample)

Convert simple hand-to-hand patterns into advanced linear sticking patterns...

Kick Hat Snare 03

The L,F,R triplet is key to learning this beat. Practise it in 12/8.

Street Beatz 02

Work on good dynamics between snare ghostnotes and accents.

Kick Hat Snare 02

Practise paradiddles with and without accents. Next try starting them on the offbeat.

'50 Ways To Leave Your Lover' - Drum Intro

Practise linear patterns between hands and hihat pedal.

2 Cross Sticking Patterns

Use a palm up technique to strike the floor tom, then palm down on the hihat.

Linear Drumming Pattern

A good warm up exercise. Focus on clean strokes with good time at lower tempos. Accents can be alternated between hand and foot.

Linear Drum Fill 02

Practise to a metronome at a slow tempo to ensure the cross-sticking is clean.

Halftime Groove

Work on the 16th patterns in bar 3 between hand and foot separately. Be careful to play the ghostnotes lightly.

Street Beatz 01

Practice linear patterns between snare, hihat and kick in 4/4. RLF, LRF etc.

Sneaky Shuffle Variation

Time the drop of the stick to allow the ghostnote to land between the shuffle pattern. There is no need for much force here, simply timing.

Linear Drum Beat

Learn the R,L,F and L,R,F combinations slowly and lightly with an emphasis on moving from the forearm/elbow.

Alternating Linear Fill

Play the linear pattern without accents. Next accent every third note, alternating between hand and foot. Switch hands.

Ghostnote Groove

Practise pull-out accents on the snare hand. Watch for this accent on the second double of the shuffle.

Linear Swing Fill

Practise triplets of R,L,F and L,R,F in time to a metronome. Then shift from hand to hand singles and back to the linear triplets.

Drum Solo Triplets

Blistering singles and doubles between the hands and feet in a triplet pattern.

Kick Hat Snare 08

Practise the 'closed' roll on the edge of the snare. See how many times you can get the stick to bounce on each hand. Then increase the tempo.

Syncopated Groove

Master the Swiss Army Tap to allow you to play syncopated patterns like this one.

Nirvana - 'Scentless Apprentice' Intro

Focus on the hand pattern in order to execute the flam comfortably. Heel-up will mean more volume.

Kick Hat Snare 05

Practise the 6 stroke roll: R,L,R,R,L,L. Next play it in groups of three as triplets.

32nd Note Offbeat Groove

Work on the hi-hat pattern first. Next introduce bass drum. Introduce the snare when you can play steadily between hihat and bass drum.

Linear Drum Fill 03

Play this fill without the double strokes on the bass drum initially to get a sense of the rhythm.

Kick Hat Snare 06

Practise a roll between hand and foot. F,R,F,R etc. This will help with the start of this beat.

Grammys Fill (transcribed)

Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.

Kick Hat Snare 07

You can change the pitch of the hihat bell by applying some pressure to the pedal. Find the sound you like best.

U2 - 'Sunday Bloody Sunday' Drum Intro

Try to play each drum at the same dynamic level to create the marching feel of this song.

Guitar Center Solo

Learning the R,L,R,F combination is key to playing this pattern.

Street Beatz 03

Jojo starts the beat with pull-out accents on the snare hand. Start at a slow tempo and aim for accuracy and good dynamics.

3 Pedals 2 Feet

A Dennis Chambers-inspired 'fat foot' technique which involves playing the hihat and slave bass pedal together.