Grammys Fill (transcribed)
Aaron Spears
Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.
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Linear Drum Fill 01
Kev O'Shea
L,R,F triplet is the basis of this fill. Learn it and also, L,R,L,R,F.
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Linear Drum Fill 03
Kev O'Shea
Play this fill without the double strokes on the bass drum initially to get a sense of the rhythm.
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Sneaky Shuffle Variation
Kev O'Shea
Time the drop of the stick to allow the ghostnote to land between the shuffle pattern. There is no need for much force here, simply timing.
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Playing Across The Bar Line
Pablo Gonzales
Use a metronome to keep the count while you experiment with playing over the bar line.
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Foo Fighters ‘Rope’
Taylor Hawkins
Practise playing the bass drum with the crash cymbal on your weaker hand (See bar 3) @ 2mins 50.
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